{"id":1713,"date":"2019-10-23T07:27:43","date_gmt":"2019-10-23T07:27:43","guid":{"rendered":"https:\/\/www.esenstudios.com\/film\/?page_id=1713"},"modified":"2023-07-14T01:08:34","modified_gmt":"2023-07-14T00:08:34","slug":"la-perdita","status":"publish","type":"page","link":"https:\/\/www.esenstudios.com\/film\/la-perdita\/","title":{"rendered":"La perdita"},"content":{"rendered":"

[et_pb_section fb_built=”1″ disabled_on=”on|on|off” _builder_version=”4.16″ background_image=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2019\/10\/land_pagina.jpg” background_position=”center_left” custom_margin=”0px||” custom_padding=”0px||” top_divider_color=”rgba(0,0,0,0)” bottom_divider_style=”wave2″ bottom_divider_color=”#ffffff” bottom_divider_height=”42px” bottom_divider_flip=”horizontal” custom_css_main_element=”height: 100vh !important;||min-height: 100% !important;” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|on” _builder_version=”4.16″ background_image=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/09\/slide_la_perdita.jpg” custom_margin=”0px||0px” custom_padding=”0px||0px” top_divider_color=”rgba(0,0,0,0)” bottom_divider_style=”wave2″ bottom_divider_color=”#ffffff” bottom_divider_height=”42px” bottom_divider_flip=”horizontal” custom_css_main_element=”height: 400px !important;||min-height: 400px !important;” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.16″ width=”100%” max_width=”100%” module_alignment=”center” custom_margin=”0px||0px” custom_padding=”0px||0px” use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|off” _builder_version=”4.16″ background_color=”rgba(0,0,0,0)” custom_margin=”-90px||||false|false” custom_padding=”||0px” bottom_divider_style=”wave2″ bottom_divider_color=”#111312″ bottom_divider_height=”90px” bottom_divider_flip=”vertical” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ width=”100%” max_width=”100%” custom_margin=”0px||0px” custom_padding=”0px||30px” border_color_all=”#decdc3″ use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https:\/\/vimeo.com\/368151359″ src_webm=”https:\/\/vimeo.com\/368151359″ image_src=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/09\/La_perdita_slide.jpg” _builder_version=”4.16″ max_width=”77%” module_alignment=”center” custom_css_main_element=”z-index: 99999 !important;” border_width_all=”3px” border_color_all=”#decdc3″ global_colors_info=”{}”][\/et_pb_video][et_pb_blurb use_icon=”on” font_icon=”|||divi||400″ icon_color=”#000000″ icon_placement=”left” _builder_version=”4.16″ _module_preset=”default” body_font=”|600|||||||” body_text_align=”center” body_text_color=”#000000″ body_font_size=”16px” custom_margin=”30px||60px||false|false” global_colors_info=”{}”]<\/p>\n

Maria ha sempre giocato il ruolo di madre e nonna premurosa, ovvero ci\u00f2 che ci si \u00e8 aspettato da lei. Una semplice domanda le fa aprire gli occhi sul suo bisogno di un rapporto autentico. Per la prima volta, tende una mano per chiedere aiuto.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/10\/La_Perdita_web-1.jpg” alt=”Distribuzione film cortometraggio: poster del film corto %22La perdita%22 di Alberto Marchiori” title_text=”La_Perdita_web” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#FFFFFF” hover_overlay_color=”rgba(0,0,0,0.31)” hover_icon=”T||divi||400″ align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width=”57%” module_alignment=”center” custom_margin=”-3%||||false|false” border_width_all=”4px” border_color_all=”#decdc3″ box_shadow_style=”preset1″ box_shadow_spread=”3px” box_shadow_color=”rgba(0,0,0,0.43)” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|on” _builder_version=”4.16″ background_color=”rgba(0,0,0,0)” custom_margin=”-10%||||false|false” custom_padding=”||0px” bottom_divider_style=”wave2″ bottom_divider_color=”#111312″ bottom_divider_height=”90px” bottom_divider_flip=”vertical” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ width=”100%” max_width=”100%” module_alignment=”center” custom_margin=”0px||0px” custom_padding=”0px||30px” border_color_all=”#decdc3″ use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https:\/\/vimeo.com\/368151359″ src_webm=”https:\/\/vimeo.com\/368151359″ image_src=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/09\/La_perdita_slide.jpg” _builder_version=”4.16″ max_width=”99%” module_alignment=”center” custom_margin=”-5%||||false|false” custom_css_main_element=”z-index: 99999 !important;” border_width_all=”3px” border_color_all=”#decdc3″ global_colors_info=”{}”][\/et_pb_video][et_pb_blurb use_icon=”on” font_icon=”|||divi||400″ icon_color=”#000000″ image_icon_width=”28px” _builder_version=”4.16″ _module_preset=”default” body_font=”|600|||||||” body_text_align=”center” body_text_color=”#000000″ max_width=”80%” module_alignment=”center” custom_margin=”30px||60px||false|false” icon_font_size=”28px” global_colors_info=”{}”]<\/p>\n

Maria ha sempre giocato il ruolo di madre e nonna premurosa, ovvero ci\u00f2 che ci si \u00e8 aspettato da lei. Una semplice domanda le fa aprire gli occhi sul suo bisogno di un rapporto autentico. Per la prima volta, tende una mano per chiedere aiuto.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/10\/La_Perdita_web-1.jpg” alt=”Distribuzione film cortometraggio: poster del film corto %22La perdita%22 di Alberto Marchiori” title_text=”La_Perdita_web” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#FFFFFF” hover_overlay_color=”rgba(0,0,0,0.31)” hover_icon=”T||divi||400″ align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width=”70%” module_alignment=”center” custom_margin=”-3%||||false|false” border_width_all=”4px” border_color_all=”#decdc3″ box_shadow_style=”preset1″ box_shadow_spread=”3px” box_shadow_color=”rgba(0,0,0,0.43)” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|off” _builder_version=”4.21.0″ background_color=”#111312″ custom_margin=”-2px||0px||false|false” custom_padding=”0px||80px” bottom_divider_style=”wave2″ bottom_divider_color=”#ffffff” hover_enabled=”0″ da_disable_devices=”off|off|off” global_colors_info=”{}” sticky_enabled=”0″ da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ width=”100%” width_tablet=”100%” width_phone=”” width_last_edited=”on|desktop” max_width=”100%” max_width_tablet=”100%” max_width_phone=”” max_width_last_edited=”on|desktop” custom_padding=”80px||” make_fullwidth=”on” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”Gotham|900|||||||” text_text_color=”#dbcbc1″ text_font_size=”26px” global_colors_info=”{}”]<\/p>\n

LA PERDITA<\/strong><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Gotham|900|||||||” text_text_color=”#dbcbc1″ custom_margin=”5px||” global_colors_info=”{}”]<\/p>\n

(THE LEAK)<\/strong><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Gotham|900|||||||” text_text_color=”#dbcbc1″ text_font_size=”16px” text_line_height=”2em” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Gotham||||||||” text_text_color=”#dbcbc1″ text_line_height=”1em” custom_margin=”10px||” global_colors_info=”{}”]<\/p>\n

Italia, 2020 \/ 10\u2032<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Gotham||||||||” text_text_color=”#dbcbc1″ custom_margin=”50px||” global_colors_info=”{}”]<\/p>\n

diretto da<\/em>
Alberto Marchiori <\/strong><\/p>\n

con<\/em>
Anna Cianca
Andrea Pergolesi<\/strong><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Gotham||||||||” text_text_color=”#dbcbc1″ custom_margin=”20px||” global_colors_info=”{}”][\/et_pb_text][et_pb_text module_class=”tabellaTroupe” _builder_version=”4.16″ text_font=”Gotham||||||||” text_text_color=”#dbcbc1″ custom_margin=”0px||30px” custom_padding=”||” global_colors_info=”{}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
Soggetto e sceneggiatura<\/em><\/td>\nTeresa Lucente, Alberto Marchiori<\/td>\n<\/tr>\n
Direttore della Fotografia<\/em><\/td>\nLorenzo Pezzano<\/td>\n<\/tr>\n
Scenografia<\/em><\/td>\nAndrea Piccinini<\/td>\n<\/tr>\n
Suono<\/em><\/td>\nMarco Zambrano<\/td>\n<\/tr>\n
Costumi<\/em>
<\/em><\/td>\n		Carolina Cubria<\/td>\n<\/tr>\n
Musica<\/em><\/td>\nLorenzo Tomio<\/td>\n<\/tr>\n
Montaggio<\/em><\/td>\nDaniele Scarpi<\/td>\n<\/tr>\n
Produzione<\/em><\/td>\nIncontrasto Film
Kublai Film
Artificio Post<\/td>\n<\/tr>\n
Distribuzione<\/em><\/td>\nEsen Studios<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_blurb title=”MIGLIOR ATTRICE – Anna Cianca” image=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/09\/premi_laurel.png” icon_placement=”left” _builder_version=”4.16″ _module_preset=”default” header_font=”|600|||||||” header_text_color=”#d8a900″ header_font_size=”22px” header_letter_spacing=”1px” header_line_height=”2em” body_font=”||||||||” body_text_color=”#ffe696″ body_font_size=”15px” custom_margin=”||20px||false|false” custom_css_blurb_image=”max-width: 60px !important;||width: 60px !important;” global_colors_info=”{}”]<\/p>\n

    \n
  • Festival Tulipani di seta nera<\/span> (Italia) | 2021<\/li>\n
  • Cinemadamare Film Festival<\/span> (Italia) | 2021<\/li>\n<\/ul>\n

    [\/et_pb_blurb][et_pb_blurb title=”3\u00b0 Premio” image=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/09\/premi_laurel.png” icon_placement=”left” _builder_version=”4.16″ _module_preset=”default” header_font=”|600|||||||” header_text_color=”#d8a900″ header_font_size=”22px” header_letter_spacing=”1px” header_line_height=”2em” body_text_color=”#ffe696″ body_font_size=”15px” custom_margin=”||30px||false|false” custom_css_blurb_image=”max-width: 60px !important;||width: 60px !important;” global_colors_info=”{}”]Amity International Short Film Festival <\/span> (Turchia)[\/et_pb_blurb][et_pb_blurb title=”Menzione Speciale” image=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/09\/premi_laurel.png” icon_placement=”left” _builder_version=”4.16″ _module_preset=”default” header_font=”|600|||||||” header_text_color=”#d8a900″ header_font_size=”22px” header_letter_spacing=”1px” header_line_height=”2em” body_text_color=”#ffe696″ body_font_size=”15px” custom_margin=”||60px||false|false” custom_css_blurb_image=”max-width: 60px !important;||width: 60px !important;” global_colors_info=”{}”]<\/p>\n

    Out of Bounds<\/span> (Italia)<\/p>\n

    [\/et_pb_blurb][et_pb_blurb title=”SELEZIONI UFFICIALI” image=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/09\/laurel.png” icon_placement=”left” _builder_version=”4.17.3″ _module_preset=”default” header_font=”||on||||||” header_text_color=”#d1d1d1″ header_font_size=”14px” header_letter_spacing=”1px” header_line_height=”3em” body_font=”||||||||” body_text_color=”#dbcbc1″ custom_css_blurb_image=”max-width: 60px !important;||width: 60px !important;” global_colors_info=”{}”]<\/p>\n

      \n
    • Portobello Film Festival <\/span> (Inghilterra)<\/li>\n
    • Orlando Film Festival<\/span> (USA)<\/li>\n
    • Los Angeles, Italia Film, Fashion and Art Fest <\/span> (USA)<\/li>\n
    • SENE Film Festival<\/span> (USA)<\/li>\n
    • ICFF Italian Contemporary Film Festival<\/span> (Canada)<\/li>\n
    • Cortisonici International Short Film Festival<\/span> (Italia)<\/li>\n
    • Capital City Film Festival<\/span> (USA)<\/li>\n
    • Dhaka International Film Festival<\/span> (Bangladesh)<\/li>\n
    • Diorama International Film Festival<\/span> (India)<\/li>\n
    • Cardiff International Film Festival<\/span> (Galles)<\/li>\n
    • GlennFest<\/span> (USA)<\/li>\n
    • International Micro \u03bc Festival<\/span> (Grecia)<\/li>\n
    • Paphos International Film Festival<\/span> (Cipro)<\/li>\n
    • Melrose Film Festival<\/span> (USA)<\/li>\n
    • Buzau International Film Festival<\/span> (Romania)<\/li>\n
    • Bucharest ShortCut Cinefest<\/span> (Romania)<\/li>\n
    • Roma Film Corto<\/span> (Italia)<\/li>\n
    • Villammare Film Festival<\/span> (Italia)<\/li>\n
    • Vigata Film Festival<\/span> (Italia)<\/li>\n
    • T.R.A.me Indipendenti<\/span> (Italia)<\/li>\n
    • Bardolino Film Festival<\/span> (Italia)<\/li>\n
    • Festival La Lanterna<\/span> (Italia)<\/li>\n
    • VisualFest Roma Tre<\/span> (Italia)<\/li>\n<\/ul>\n

      [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|on” _builder_version=”4.16″ background_color=”#111312″ custom_margin=”0px||0px” custom_padding=”0px||80px” bottom_divider_style=”wave2″ bottom_divider_color=”#ffffff” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ width=”100%” width_tablet=”100%” width_phone=”” width_last_edited=”on|desktop” max_width=”100%” max_width_tablet=”100%” max_width_phone=”” max_width_last_edited=”on|desktop” custom_padding=”80px||” make_fullwidth=”on” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”Gotham|900|||||||” text_text_color=”#dbcbc1″ text_font_size=”26px” global_colors_info=”{}”]<\/p>\n

      LA PERDITA<\/strong><\/p>\n

      [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Gotham|900|||||||” text_text_color=”#dbcbc1″ custom_margin=”5px||” global_colors_info=”{}”]<\/p>\n

      (THE LEAK)<\/strong><\/p>\n

      [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Gotham|900|||||||” text_text_color=”#dbcbc1″ text_font_size=”16px” text_line_height=”2em” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Gotham||||||||” text_text_color=”#dbcbc1″ text_line_height=”1em” custom_margin=”10px||” global_colors_info=”{}”]<\/p>\n

      Italia, 2020 \/ 10\u2032<\/p>\n

      [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Gotham||||||||” text_text_color=”#dbcbc1″ custom_margin=”50px||” global_colors_info=”{}”]<\/p>\n

      diretto da<\/em>
      Alberto Marchiori <\/strong><\/p>\n

      con<\/em>
      Anna Cianca
      Andrea Pergolesi<\/strong><\/p>\n

      [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Gotham||||||||” text_text_color=”#dbcbc1″ custom_margin=”20px||” global_colors_info=”{}”][\/et_pb_text][et_pb_text module_class=”tabellaTroupe” _builder_version=”4.16″ text_font=”Gotham||||||||” text_text_color=”#dbcbc1″ custom_margin=”0px||30px” custom_padding=”||” global_colors_info=”{}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
      Soggetto e sceneggiatura<\/em><\/td>\nTeresa Lucente, Alberto Marchiori<\/td>\n<\/tr>\n
      Direttore della Fotografia<\/em><\/td>\nLorenzo Pezzano<\/td>\n<\/tr>\n
      Scenografia<\/em><\/td>\nAndrea Piccinini<\/td>\n<\/tr>\n
      Suono<\/em><\/td>\nMarco Zambrano<\/td>\n<\/tr>\n
      Costumi<\/em>
      <\/em><\/td>\n      		Carolina Cubria<\/td>\n<\/tr>\n
      Musica<\/em><\/td>\nLorenzo Tomio<\/td>\n<\/tr>\n
      Montaggio<\/em><\/td>\nDaniele Scarpi<\/td>\n<\/tr>\n
      Produzione<\/em><\/td>\nIncontrasto Film
      Kublai Film
      Artificio Post<\/td>\n<\/tr>\n
      Distribuzione<\/em><\/td>\nEsen Studios<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

      [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_blurb title=”MIGLIOR ATTRICE – Anna Cianca” image=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/09\/premi_laurel.png” icon_placement=”left” _builder_version=”4.16″ _module_preset=”default” header_font=”|600|||||||” header_text_color=”#d8a900″ header_font_size=”16px” header_letter_spacing=”1px” header_line_height=”1.3em” body_text_color=”#ffe696″ body_font_size=”12px” body_line_height=”1em” width=”90%” custom_margin=”40px||10px||false|false” custom_css_blurb_image=”max-width: 60px !important;||width: 60px !important;” global_colors_info=”{}”]<\/p>\n

        \n
      • Festival Tulipani di seta nera<\/span> (Italia) | 2021<\/li>\n
      • Cinemadamare Film Festival<\/span> (Italia) | 2021<\/li>\n<\/ul>\n

        [\/et_pb_blurb][et_pb_blurb title=”3\u00b0 Premio” image=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/09\/premi_laurel.png” icon_placement=”left” _builder_version=”4.16″ _module_preset=”default” header_font=”|600|||||||” header_text_color=”#d8a900″ header_font_size=”16px” header_letter_spacing=”1px” header_line_height=”1.3em” body_text_color=”#ffe696″ body_font_size=”12px” body_line_height=”1em” width=”90%” custom_margin=”||30px||false|false” custom_css_blurb_image=”max-width: 60px !important;||width: 60px !important;” global_colors_info=”{}”]<\/p>\n

        Amity International Short Film Festival <\/span> (Turchia)<\/p>\n

        [\/et_pb_blurb][et_pb_blurb title=”Menzione Speciale” image=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/09\/premi_laurel.png” icon_placement=”left” _builder_version=”4.16″ _module_preset=”default” header_font=”|600|||||||” header_text_color=”#d8a900″ header_font_size=”16px” header_letter_spacing=”1px” header_line_height=”1.3em” body_text_color=”#ffe696″ body_font_size=”12px” body_line_height=”1em” width=”90%” custom_margin=”40px||80px||false|false” custom_css_blurb_image=”max-width: 60px !important;||width: 60px !important;” global_colors_info=”{}”]<\/p>\n

        Out of Bounds<\/span> (Italia)<\/p>\n

        [\/et_pb_blurb][et_pb_blurb title=”SELEZIONI UFFICIALI” image=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/09\/laurel.png” icon_placement=”left” _builder_version=”4.17.3″ _module_preset=”default” header_font=”||on||||||” header_text_color=”#d1d1d1″ header_font_size=”14px” header_letter_spacing=”1px” header_line_height=”3em” body_font=”||||||||” body_text_color=”#dbcbc1″ body_font_size=”11px” body_line_height=”1.6em” max_width=”90%” custom_css_blurb_image=”max-width: 60px !important;||width: 60px !important;” global_colors_info=”{}”]<\/p>\n

          \n
        • Portobello Film Festival <\/span> (Inghilterra)<\/li>\n
        • Orlando Film Festival<\/span> (USA)<\/li>\n
        • Los Angeles, Italia Film, Fashion and Art Fest <\/span> (USA)<\/li>\n
        • SENE Film Festival<\/span> (USA)<\/li>\n
        • ICFF Italian Contemporary Film Festival<\/span> (Canada)<\/li>\n
        • Cortisonici International Short Film Festival<\/span> (Italia)<\/li>\n
        • Capital City Film Festival<\/span> (USA)<\/li>\n
        • Dhaka International Film Festival<\/span> (Bangladesh)<\/li>\n
        • Diorama International Film Festival<\/span> (India)<\/li>\n
        • Cardiff International Film Festival<\/span> (Galles)<\/li>\n
        • GlennFest<\/span> (USA)<\/li>\n
        • International Micro \u03bc Festival<\/span> (Grecia)<\/li>\n
        • Paphos International Film Festival<\/span> (Cipro)<\/li>\n
        • Melrose Film Festival<\/span> (USA)<\/li>\n
        • Buzau International Film Festival<\/span> (Romania)<\/li>\n
        • Bucharest ShortCut Cinefest<\/span> (Romania)<\/li>\n
        • Roma Film Corto<\/span> (Italia)<\/li>\n
        • Villammare Film Festival<\/span> (Italia)<\/li>\n
        • Vigata Film Festival<\/span> (Italia)<\/li>\n
        • T.R.A.me Indipendenti<\/span> (Italia)<\/li>\n
        • Bardolino Film Festival<\/span> (Italia)<\/li>\n
        • Festival La Lanterna<\/span> (Italia)<\/li>\n
        • VisualFest Roma Tre<\/span> (Italia)<\/li>\n<\/ul>\n

          [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|off” _builder_version=”4.16″ background_color=”rgba(255,255,255,0)” custom_margin=”-80px||0px” custom_padding=”0px||100px” top_divider_height=”79px” bottom_divider_style=”wave2″ bottom_divider_color=”#111312″ bottom_divider_height=”89px” bottom_divider_flip=”horizontal” bottom_divider_arrangement=”above_content” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”2_5,3_5″ use_custom_gutter=”on” gutter_width=”1″ disabled_on=”off|off|off” _builder_version=”4.16″ background_color=”rgba(255,255,255,0)” width=”70%” max_width=”70%” module_alignment=”center” custom_margin=”||0px” custom_padding=”||” use_custom_width=”on” width_unit=”off” custom_width_percent=”70%” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2019\/10\/Alberto-Marchiori-Regista-1.jpg” title_text=”Alberto-Marchiori—Regista” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ custom_margin=”|30px||” border_radii=”on|20px|20px|20px|20px” box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”15px” header_font=”||||||||” custom_padding=”10%||” global_colors_info=”{}”]<\/p>\n

          ALBERTO MARCHIORI<\/strong>
          Nato in una piccola citt\u00e0 del nord Italia, si trasferisce a Roma nel 2001 per studiare direzione della fotografia e operatore di macchina da presa a Cinecitt\u00e0. Dopo 15 anni nei reparti fotografia dei pi\u00f9 importanti registi italiani contemporanei (Marco Bellocchio, Matteo Garrone, Giorgio Diritti, Daniele Vicari, Pupi Avati, Emma Dante) inizia a lavorare come direttore della fotografia dividendosi tra Italia, Brasile e Inghilterra. Nel 2016 realizza la fotografia del cortometraggio \u201cIl silenzio\u201d di Ali Asgari e Farnoosh Samadi, selezionato nel concorso ufficiale del Festival di Cannes. Nel 2018 fotografa il corto \u201cDelay\u201d di Ali Asgari, selezionato tra gli altri al Los Angeles Film Festival e in concorso al Manaki Brothers Film Festival, manifestazione dedicata ai direttori della fotografia. \u201cLa perdita\u201d \u00e8 il suo primo cortometraggio da regista.<\/p>\n

          [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|on” _builder_version=”4.16″ background_color=”rgba(255,255,255,0)” custom_margin=”-80px||0px” custom_padding=”0px||100px” top_divider_height=”79px” bottom_divider_style=”wave2″ bottom_divider_color=”#111312″ bottom_divider_height=”89px” bottom_divider_flip=”horizontal” bottom_divider_arrangement=”above_content” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ disabled_on=”off|off|off” _builder_version=”4.16″ background_color=”rgba(255,255,255,0)” width=”90%” module_alignment=”center” custom_margin=”||0px” custom_padding=”||” use_custom_width=”on” width_unit=”off” custom_width_percent=”70%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2019\/10\/Alberto-Marchiori-Regista-1.jpg” title_text=”Alberto-Marchiori—Regista” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ custom_margin=”|30px||” border_radii=”on|20px|20px|20px|20px” box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”15px” header_font=”||||||||” custom_padding=”10%||” global_colors_info=”{}”]<\/p>\n

          ALBERTO MARCHIORI<\/strong>
          Nato in una piccola citt\u00e0 del nord Italia, si trasferisce a Roma nel 2001 per studiare direzione della fotografia e operatore di macchina da presa a Cinecitt\u00e0. Dopo 15 anni nei reparti fotografia dei pi\u00f9 importanti registi italiani contemporanei (Marco Bellocchio, Matteo Garrone, Giorgio Diritti, Daniele Vicari, Pupi Avati, Emma Dante) inizia a lavorare come direttore della fotografia dividendosi tra Italia, Brasile e Inghilterra. Nel 2016 realizza la fotografia del cortometraggio \u201cIl silenzio\u201d di Ali Asgari e Farnoosh Samadi, selezionato nel concorso ufficiale del Festival di Cannes. Nel 2018 fotografa il corto \u201cDelay\u201d di Ali Asgari, selezionato tra gli altri al Los Angeles Film Festival e in concorso al Manaki Brothers Film Festival, manifestazione dedicata ai direttori della fotografia. \u201cLa perdita\u201d \u00e8 il suo primo cortometraggio da regista.<\/p>\n

          [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” _builder_version=”4.21.0″ background_color=”#111312″ custom_margin=”-2px||0px||false|false” custom_padding=”0px||10px” bottom_divider_height=”44px” hover_enabled=”0″ da_disable_devices=”off|off|off” global_colors_info=”{}” sticky_enabled=”0″ da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ width=”100%” max_width=”100%” use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_text_color=”#ffffff” max_width=”80%” module_alignment=”center” custom_margin=”||50px” global_colors_info=”{}”]<\/p>\n

          Note di regia:<\/strong><\/p>\n

          \u201cLa perdita\u201d \u00e8 un cortometraggio costruito su un linguaggio visivo e narrativo essenziale. La regia \u00e8 fatta di inquadrature composte con rigore. La macchina da presa si muove in modo calibrato, quando necessario. Gli ambienti in cui si muovono i personaggi sono per lo pi\u00f9 interni e la luce che li avvolge \u00e8 come i cieli di fine estate in citt\u00e0. Fuori e dentro c\u2019\u00e8 silenzio, non ci sono folle ad animare gli spazi ma poche vite modeste. Il suono ha una valenza fondamentale in quanto rimanda alle sensazioni e ai moti interni dei nostri personaggi. La colonna sonora, costruita con poche note, entra in gioco per sottolineare i cambiamenti emotivi.<\/p>\n

          [\/et_pb_text][et_pb_gallery gallery_ids=”1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770″ show_title_and_caption=”off” zoom_icon_color=”#e09900″ hover_overlay_color=”rgba(0,0,0,0.6)” hover_icon=”||divi||400″ _builder_version=”4.16″ caption_font=”||||||||” caption_font_size=”14px” pagination_font=”Gotham|700|||||||” child_filter_sepia=”50%” animation_style=”flip” border_width_all_image=”6px” global_colors_info=”{}”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

          Maria ha sempre giocato il ruolo di madre e nonna premurosa, ovvero ci\u00f2 che ci si \u00e8 aspettato da lei. Una semplice domanda le fa aprire gli occhi sul suo bisogno di un rapporto autentico. Per la prima volta, tende una mano per chiedere aiuto.Maria ha sempre giocato il ruolo di madre e nonna premurosa, ovvero ci\u00f2 che ci si \u00e8 aspettato da lei. Una semplice domanda le fa aprire gli occhi sul suo bisogno di un rapporto autentico. Per la prima volta, tende una mano per chiedere aiuto.LA PERDITA(THE LEAK)Italia, 2020 \/ 10\u2032diretto daAlberto Marchiori conAnna CiancaAndrea Pergolesi Soggetto e sceneggiatura Teresa Lucente, Alberto Marchiori Direttore della Fotografia Lorenzo Pezzano Scenografia Andrea Piccinini Suono Marco Zambrano Costumi Carolina Cubria Musica Lorenzo Tomio Montaggio Daniele Scarpi Produzione Incontrasto FilmKublai FilmArtificio Post Distribuzione Esen Studios Festival Tulipani di seta nera (Italia) | 2021 Cinemadamare Film Festival (Italia) | 2021 Amity International Short Film Festival (Turchia)Out of Bounds (Italia) Portobello Film Festival (Inghilterra) Orlando Film Festival (USA) Los Angeles, Italia Film, Fashion and Art Fest (USA) SENE Film Festival (USA) ICFF Italian Contemporary Film Festival (Canada) Cortisonici International Short Film Festival (Italia) Capital City Film Festival (USA) Dhaka International Film Festival (Bangladesh) […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1713","page","type-page","status-publish","hentry"],"yoast_head":"\nLa perdita - Esen Studios<\/title>\n<meta name=\"description\" content=\"La Perdita, un film di Alberto Marchiori, con Anna Cianca. 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