{"id":6030,"date":"2022-01-03T15:57:43","date_gmt":"2022-01-03T15:57:43","guid":{"rendered":"https:\/\/www.esenstudios.com\/film\/?page_id=6030"},"modified":"2023-08-31T21:22:40","modified_gmt":"2023-08-31T20:22:40","slug":"malos-aires","status":"publish","type":"page","link":"https:\/\/www.esenstudios.com\/film\/malos-aires\/","title":{"rendered":"Malos Aires"},"content":{"rendered":"

[et_pb_section fb_built=”1″ disabled_on=”on|on|off” _builder_version=”4.16″ background_image=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2022\/01\/head_Malos-Aires-1.jpg” custom_margin=”0px||” custom_padding=”0px||” top_divider_color=”rgba(0,0,0,0)” bottom_divider_style=”wave2″ bottom_divider_color=”#ffffff” bottom_divider_height=”42px” bottom_divider_flip=”horizontal” custom_css_main_element=”height: 100vh !important;||min-height: 100% !important;” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|on” _builder_version=”4.16″ background_image=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2022\/01\/head_Malos-Aires_mob.jpg” background_position=”top_left” custom_margin=”0px||” custom_padding=”0px||” top_divider_color=”rgba(0,0,0,0)” bottom_divider_style=”wave2″ bottom_divider_color=”#ffffff” bottom_divider_height=”42px” bottom_divider_flip=”horizontal” custom_css_main_element=”height: 80vh !important;||min-height: 80% !important;” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|off” _builder_version=”4.16″ background_color=”rgba(0,0,0,0)” custom_margin=”-90px||||false|false” custom_padding=”||0px” bottom_divider_style=”wave2″ bottom_divider_color=”#111312″ bottom_divider_height=”90px” bottom_divider_flip=”vertical” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ width=”100%” max_width=”100%” custom_margin=”0px||0px” custom_padding=”0px||30px” border_color_all=”#decdc3″ use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https:\/\/vimeo.com\/661467689″ src_webm=”https:\/\/vimeo.com\/661467689″ image_src=”\/\/i.vimeocdn.com\/video\/1339324273-6316e7ebed1abb14c7322fcb44057ce32e177a8d5d57abff43f999f9cd7c949c-d_960″ disabled_on=”on|on|off” _builder_version=”4.16″ max_width=”80%” module_alignment=”center” custom_margin=”-2%||||false|false” custom_css_main_element=”z-index: 99999 !important;” border_width_all=”3px” border_color_all=”#decdc3″ global_colors_info=”{}”][\/et_pb_video][et_pb_blurb use_icon=”on” font_icon=”|||divi||400″ icon_color=”#000000″ icon_placement=”left” _builder_version=”4.16″ _module_preset=”default” body_font=”|600|||||||” body_text_align=”center” body_text_color=”#000000″ body_font_size=”16px” custom_margin=”||60px||false|false” custom_padding=”50px||||false|false” global_colors_info=”{}”]<\/p>\n

L\u2019incontro di una ex-coppia argentina durante il lockdown del 2020 a Madrid. La conversazione di una notte fa riaffiorare la complessit\u00e0 e l’instabilit\u00e0 delle emozioni umane.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2022\/11\/poster__MALOS_AIRES__web.webp” alt=”%22Malos Aires%22 un film di Damian Comas” title_text=”%22Malos Aires%22 un film di Damian Comas” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#FFFFFF” hover_overlay_color=”rgba(0,0,0,0.31)” hover_icon=”T||divi||400″ align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.18.1″ max_width=”57%” module_alignment=”center” custom_margin=”-3%||||false|false” border_width_all=”4px” border_color_all=”#decdc3″ box_shadow_style=”preset1″ box_shadow_spread=”3px” box_shadow_color=”rgba(0,0,0,0.43)” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|on” _builder_version=”4.16″ background_color=”rgba(0,0,0,0)” custom_margin=”-10%||||false|false” custom_padding=”||0px” bottom_divider_style=”wave2″ bottom_divider_color=”#111312″ bottom_divider_height=”90px” bottom_divider_flip=”vertical” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ width=”100%” max_width=”100%” module_alignment=”center” custom_margin=”0px||0px” custom_padding=”0px||30px” border_color_all=”#decdc3″ use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https:\/\/vimeo.com\/661467689″ src_webm=”https:\/\/vimeo.com\/661467689″ image_src=”\/\/i.vimeocdn.com\/video\/1339324273-6316e7ebed1abb14c7322fcb44057ce32e177a8d5d57abff43f999f9cd7c949c-d_960″ disabled_on=”off|off|on” _builder_version=”4.16″ max_width=”99%” module_alignment=”center” custom_margin=”-5%||||false|false” custom_css_main_element=”z-index: 99999 !important;” border_width_all=”3px” border_color_all=”#decdc3″ global_colors_info=”{}”][\/et_pb_video][et_pb_blurb use_icon=”on” font_icon=”|||divi||400″ icon_color=”#000000″ image_icon_width=”28px” _builder_version=”4.16″ _module_preset=”default” body_font=”|600|||||||” body_text_align=”center” body_text_color=”#000000″ max_width=”80%” module_alignment=”center” custom_margin=”30px||60px||false|false” icon_font_size=”28px” global_colors_info=”{}”]<\/p>\n

L\u2019incontro di una ex-coppia argentina durante il lockdown del 2020 a Madrid. La conversazione di una notte fa riaffiorare la complessit\u00e0 e l’instabilit\u00e0 delle emozioni umane.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2022\/11\/poster__MALOS_AIRES__web.webp” alt=”%22Malos Aires%22 un film di Damian Comas” title_text=”%22Malos Aires%22 un film di Damian Comas” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#FFFFFF” hover_overlay_color=”rgba(0,0,0,0.31)” hover_icon=”T||divi||400″ align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.18.1″ max_width=”70%” module_alignment=”center” custom_margin=”-3%||||false|false” border_width_all=”4px” border_color_all=”#decdc3″ box_shadow_style=”preset1″ box_shadow_spread=”3px” box_shadow_color=”rgba(0,0,0,0.43)” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” _builder_version=”4.21.0″ background_color=”#111312″ custom_margin=”-2px||0px||false|false” custom_padding=”0px||80px” bottom_divider_style=”wave2″ bottom_divider_color=”#ffffff” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ module_class=” et_pb_row_fullwidth” _builder_version=”4.17.6″ width_tablet=”100%” width_phone=”” width_last_edited=”on|phone” max_width=”100%” max_width_tablet=”100%” max_width_phone=”” max_width_last_edited=”on|desktop” custom_padding=”80px||” make_fullwidth=”on” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”Gotham|900|||||||” text_text_color=”#dbcbc1″ text_font_size=”26px” global_colors_info=”{}”]<\/p>\n

Malos Aires<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Gotham||||||||” text_text_color=”#dbcbc1″ text_line_height=”1em” custom_margin=”10px||” text_font_size_tablet=”” text_font_size_phone=”12px” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

Argentina, Messico, Spagna, Italia\u00a0 2022 \/ 72\u2032<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Gotham||||||||” text_text_color=”#dbcbc1″ custom_margin=”50px||” global_colors_info=”{}”]<\/p>\n

diretto da<\/em>
\nDami\u00e1n Comas<\/strong><\/p>\n

con<\/em>
\nLuz Cipriota
\nEmmanuel Marzia
\n<\/strong><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Gotham||||||||” text_text_color=”#dbcbc1″ custom_margin=”20px||” global_colors_info=”{}”][\/et_pb_text][et_pb_text module_class=”tabellaTroupe” _builder_version=”4.16″ text_font=”Gotham||||||||” text_text_color=”#dbcbc1″ custom_margin=”0px||30px” custom_padding=”||” global_colors_info=”{}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
Sceneggiatura<\/em><\/td>\nDami\u00e1n Comas<\/td>\n<\/tr>\n
Direttore della Fotografia<\/em><\/td>\nAlex Sarta<\/td>\n<\/tr>\n
Scenografia<\/em><\/td>\nJuan Correa
Roc\u00edo S\u00e1nchez-Gil<\/td>\n<\/tr>\n
Costumi<\/em><\/td>\nRoc\u00edo S\u00e1nchez-Gil<\/td>\n<\/tr>\n
Montaggio<\/em><\/td>\nGiorgio Milocco<\/td>\n<\/tr>\n
Suono<\/em><\/td>\nJuanjo Rodr\u00edguez<\/span><\/td>\n<\/tr>\n
Musiche<\/em><\/td>\nChristian Paris
Violetta Club<\/td>\n<\/tr>\n
Produttori<\/em><\/td>\nMichele Codarin
Giorgio Milocco
Dami\u00e1n Comas<\/span><\/td>\n<\/tr>\n
Produzione<\/em><\/td>\nQuasar<\/span><\/td>\n<\/tr>\n
Distribuzione<\/em><\/td>\nEsen Studios<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/et_pb_text][et_pb_image src=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2022\/07\/quasar.png” alt=”Quasar Film” title_text=”Quasar Film” align=”center” _builder_version=”4.17.6″ _module_preset=”default” width=”200px” width_tablet=”200px” width_phone=”150px” width_last_edited=”on|phone” module_alignment=”center” filter_saturate=”0%” filter_brightness=”128%” filter_sepia=”4%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2022\/11\/Malos_laurels.png” alt=”Distribuzione del film %22Malos Aires%22: laurels” title_text=”Distribuzione del film %22Malos Aires%22: laurels” src_tablet=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2022\/11\/Malos_laurels.png” src_phone=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2022\/11\/Malos_laurels.png” src_last_edited=”on|phone” show_bottom_space_tablet=”” show_bottom_space_phone=”” show_bottom_space_last_edited=”on|tablet” align_tablet=”center” align_phone=”center” align_last_edited=”on|phone” _builder_version=”4.18.1″ _module_preset=”default” width_tablet=”500px” width_phone=”90%” width_last_edited=”on|phone” module_alignment=”center” custom_margin=”50px||30px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_blurb title=”MIGLIOR ATTRICE a Luz Cipriota” image=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/09\/premi_laurel.png” icon_placement=”left” content_max_width=”820px” disabled_on=”on|on|off” _builder_version=”4.22.1″ _module_preset=”default” header_font=”|600|||||||” header_text_color=”#d8a900″ header_font_size=”18px” header_letter_spacing=”1px” header_line_height=”2em” body_text_color=”#ffe696″ module_alignment=”center” custom_margin=”60px||30px||false|false” hover_enabled=”0″ custom_css_blurb_image=”max-width: 60px !important;||width: 60px !important;” global_colors_info=”{}” sticky_enabled=”0″]Va\u0308stera\u030as Filmfestival <\/span> (Svezia) | 2023[\/et_pb_blurb][et_pb_blurb title=”MIGLIOR ATTRICE a Luz Cipriota” image=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/09\/premi_laurel.png” icon_placement=”left” content_max_width=”820px” disabled_on=”on|on|off” _builder_version=”4.22.1″ _module_preset=”default” header_font=”|600|||||||” header_text_color=”#d8a900″ header_font_size=”18px” header_letter_spacing=”1px” header_line_height=”2em” body_text_color=”#ffe696″ module_alignment=”center” custom_margin=”20px||30px||false|false” hover_enabled=”0″ custom_css_blurb_image=”max-width: 60px !important;||width: 60px !important;” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Asti Film Festival<\/span> (Italia) | 2022<\/p>\n

[\/et_pb_blurb][et_pb_blurb title=”MIGLIOR ATTRICE a Luz Cipriota” image=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/09\/premi_laurel.png” icon_placement=”left” content_max_width_tablet=”” content_max_width_phone=”90%” content_max_width_last_edited=”on|phone” disabled_on=”off|off|on” _builder_version=”4.22.1″ _module_preset=”default” header_font=”|600|||||||” header_text_color=”#d8a900″ header_font_size=”14px” header_letter_spacing=”1px” header_line_height=”2em” body_text_color=”#ffe696″ body_font_size=”12px” body_line_height=”1.4em” max_width=”100%” module_alignment=”center” custom_margin=”||30px||false|false” hover_enabled=”0″ custom_css_blurb_image=”max-width: 60px !important;||width: 60px !important;” global_colors_info=”{}” sticky_enabled=”0″]Va\u0308stera\u030as Filmfestival <\/span> (Svezia) | 2023[\/et_pb_blurb][et_pb_blurb title=”MIGLIOR ATTRICE a Luz Cipriota” image=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/09\/premi_laurel.png” icon_placement=”left” content_max_width_tablet=”” content_max_width_phone=”90%” content_max_width_last_edited=”on|phone” disabled_on=”off|off|on” _builder_version=”4.19.2″ _module_preset=”default” header_font=”|600|||||||” header_text_color=”#d8a900″ header_font_size=”14px” header_letter_spacing=”1px” header_line_height=”2em” body_text_color=”#ffe696″ body_font_size=”12px” body_line_height=”1.4em” max_width=”100%” module_alignment=”center” custom_margin=”||30px||false|false” custom_css_blurb_image=”max-width: 60px !important;||width: 60px !important;” global_colors_info=”{}”]<\/p>\n

Asti Film Festival<\/span> (Italia) | 2022<\/p>\n

[\/et_pb_blurb][et_pb_blurb title=”OFFICIAL SELECTIONS” image=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/09\/laurel.png” icon_placement=”left” content_max_width_tablet=”” content_max_width_phone=”90%” content_max_width_last_edited=”on|phone” disabled_on=”off|off|on” _builder_version=”4.22.0″ _module_preset=”default” header_font=”||on||||||” header_text_color=”#d1d1d1″ header_font_size=”14px” header_letter_spacing=”1px” header_line_height=”3em” body_font=”||||||||” body_text_color=”#dbcbc1″ body_font_size=”11px” body_line_height=”1.6em” max_width=”100%” module_alignment=”center” custom_margin=”60px||||false|false” custom_css_blurb_image=”max-width: 60px !important;||width: 60px !important;” global_colors_info=”{}”]<\/p>\n

    \n
  • Chichester Film Festival <\/span> (UK)<\/li>\n
  • RIFFA – Regina International Film Festival and Awards <\/span> (Canada)<\/li>\n
  • Festival de Cine Ibero-Latino Americano de Trieste <\/span> (Italia)<\/li>\n
  • V\u00e4ster\u00e5s Filmfestival <\/span> (Svezia)<\/li>\n
  • Asti Film Festival <\/span> (Italia)<\/li>\n<\/ul>\n

     [\/et_pb_blurb][et_pb_blurb title=”OFFICIAL SELECTIONS” image=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2021\/09\/laurel.png” icon_placement=”left” content_max_width=”820px” disabled_on=”on|on|off” _builder_version=”4.22.0″ _module_preset=”default” header_font=”||on||||||” header_text_color=”#d1d1d1″ header_font_size=”14px” header_letter_spacing=”1px” header_line_height=”3em” body_font=”||||||||” body_text_color=”#dbcbc1″ custom_margin=”60px||||false|false” custom_css_blurb_image=”max-width: 60px !important;||width: 60px !important;” global_colors_info=”{}”]<\/p>\n

      \n
    • Chichester Film Festival <\/span> (UK)<\/li>\n
    • RIFFA – Regina International Film Festival and Awards <\/span> (Canada)<\/li>\n
    • Festival de Cine Ibero-Latino Americano de Trieste <\/span> (Italia)<\/li>\n
    • V\u00e4ster\u00e5s Filmfestival <\/span> (Svezia)<\/li>\n
    • Asti Film Festival <\/span> (Italia)<\/li>\n<\/ul>\n

      [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|off” _builder_version=”4.16″ background_color=”rgba(255,255,255,0)” custom_margin=”-80px||0px” custom_padding=”0px||100px” top_divider_height=”79px” bottom_divider_style=”wave2″ bottom_divider_color=”#111312″ bottom_divider_height=”89px” bottom_divider_flip=”horizontal” bottom_divider_arrangement=”above_content” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”2_5,3_5″ module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_color=”rgba(255,255,255,0)” width=”89%” width_tablet=”80%” width_phone=”” width_last_edited=”on|desktop” max_width=”89%” max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|desktop” custom_margin=”||0px” custom_padding=”||” make_fullwidth=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2022\/01\/Damian-Comas_director.jpg” alt=”Damian Comas” title_text=”Damian-Comas_director” show_in_lightbox=”on” align=”right” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width=”50%” max_width_tablet=”” max_width_phone=”” max_width_last_edited=”on|phone” module_alignment=”right” custom_margin=”||-30px” filter_saturate=”82%” border_radii=”on|10px|10px|10px|10px” box_shadow_style=”preset2″ box_shadow_vertical=”-4px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ custom_margin=”10%||” global_colors_info=”{}”]<\/p>\n

      Dami\u00e1n Comas<\/strong><\/p>\n

      Dami\u00e1n Comas (1984) \u00e8 un artista visivo, scrittore e regista. Ha conseguito un dottorato in Creazione letteraria e un master in Studi teorici dell\u2019arte. Ha viaggiato e vissuto in diversi continenti, dedicandosi alla pittura, installazione, sceneggiatura e regia cinematografica, oltre che alla scrittura di romanzi. Nelle varie discipline ha ricevuto diversi premi in Europa, America e Asia. Il suo primo romanzo, \u201cCenizas\u201d, ha vinto il XIX Premio de Literatura Hisp\u00e1nica de la Universidad de Sevilla, pubblicato da Punto de lectura e Debolsillo. La serie di romanzi de \u201cLas verdades infames\u201d, \u00e8 stata pubblicata da Random House. Il suo cortometraggio \u201cCuerpos de sal\u201d \u00e8 stato selezionato in diversi festival e ha vinto cinque premi. Alcune delle sue sceneggiature sono state vendute a grandi case di produzione. \u201cMalos Aires\u201d \u00e8 il suo primo lungometraggio da regista.<\/p>\n

      [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|on” _builder_version=”4.16″ custom_margin=”0px||0px” custom_padding=”0px||0px” top_divider_height=”80px” bottom_divider_style=”wave2″ bottom_divider_color=”#111312″ bottom_divider_height=”32px” bottom_divider_arrangement=”above_content” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.16″ width=”100%” max_width=”100%” custom_margin=”||0px” custom_padding=”||0px” use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ max_width=”90%” module_alignment=”center” custom_margin=”30px||” global_colors_info=”{}”]<\/p>\n

      Dami\u00e1n Comas<\/strong><\/p>\n

      Dami\u00e1n Comas (1984) \u00e8 un artista visivo, scrittore e regista. Ha conseguito un dottorato in Creazione letteraria e un master in Studi teorici dell\u2019arte. Ha viaggiato e vissuto in diversi continenti, dedicandosi alla pittura, installazione, sceneggiatura e regia cinematografica, oltre che alla scrittura di romanzi. Nelle varie discipline ha ricevuto diversi premi in Europa, America e Asia. Il suo primo romanzo, \u201cCenizas\u201d, ha vinto il XIX Premio de Literatura Hisp\u00e1nica de la Universidad de Sevilla, pubblicato da Punto de lectura e Debolsillo. La serie di romanzi de \u201cLas verdades infames\u201d, \u00e8 stata pubblicata da Random House. Il suo cortometraggio \u201cCuerpos de sal\u201d \u00e8 stato selezionato in diversi festival e ha vinto cinque premi. Alcune delle sue sceneggiature sono state vendute a grandi case di produzione. \u201cMalos Aires\u201d \u00e8 il suo primo lungometraggio da regista.<\/p>\n

      [\/et_pb_text][et_pb_image src=”https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2022\/01\/Damian-Comas_director.jpg” alt=”Negar Naghavi” title_text=”Damian-Comas_director” show_in_lightbox=”on” align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ filter_saturate=”0%” filter_brightness=”119%” filter_contrast=”115%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|off” _builder_version=”4.21.0″ background_color=”#111312″ custom_margin=”-2px||0px||false|false” custom_padding=”0px||10px” bottom_divider_height=”44px” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ width=”89%” width_tablet=”80%” width_phone=”” width_last_edited=”on|desktop” max_width=”89%” max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|desktop” custom_margin=”0px||” custom_padding=”0px||” make_fullwidth=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_text_color=”#dbcbc1″ global_colors_info=”{}”]<\/p>\n

      NOTE DI REGIA<\/strong><\/p>\n

      Come artista visivo, regista e scrittore, ho sempre cercato di creare un cinema che approfondisse i dialoghi, le contraddizioni delle parole e delle azioni e che riflettesse la complessit\u00e0 del pensiero umano. Per tutto questo, in un momento in cui per legge, solo sette persone potevano riunirsi (vivendo confinati nel centro di Madrid), ho guidato il team per creare Malos Aires. L\u2019obiettivo \u00e8 stato quello di creare un’opera iperrealista con solo due personaggi, molteplici riprese in sequenza realizzate con una sola telecamera, ponendo l’attenzione sui gesti e sugli sguardi pi\u00f9 sottili, sul ritmo naturale della vita e, nella maggior parte dei casi, sulle tacite reazioni dei personaggi. L\u2019idea \u00e8 quella di arrivare ad un certo punto a non capire perch\u00e9, come spettatore, siamo testimoni di una realt\u00e0 cos\u00ec intima.<\/p>\n

      [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ width=”100%” max_width=”100%” use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_gallery gallery_ids=”6055,6076,6077,6078,6079,6080,6081,6082,6083,6084,6085,6086″ show_title_and_caption=”off” zoom_icon_color=”#ffffff” hover_overlay_color=”rgba(0,0,0,0.6)” hover_icon=”||divi||400″ _builder_version=”4.16″ caption_font=”||||||||” caption_font_size=”14px” pagination_font=”Gotham|700|||||||” child_filter_contrast=”104%” animation_style=”flip” border_width_all_image=”6px” global_colors_info=”{}”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|on” _builder_version=”4.21.0″ background_color=”#111312″ custom_margin=”-2px||0px||false|false” custom_padding=”0px||10px” bottom_divider_height=”44px” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ width=”89%” width_tablet=”80%” width_phone=”” width_last_edited=”on|desktop” max_width=”89%” max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|desktop” custom_margin=”||” custom_padding=”40px||” make_fullwidth=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_text_color=”#dbcbc1″ global_colors_info=”{}”]<\/p>\n

      NOTE DI REGIA<\/strong><\/p>\n

      Come artista visivo, regista e scrittore, ho sempre cercato di creare un cinema che approfondisse i dialoghi, le contraddizioni delle parole e delle azioni e che riflettesse la complessit\u00e0 del pensiero umano. Per tutto questo, in un momento in cui per legge, solo sette persone potevano riunirsi (vivendo confinati nel centro di Madrid), ho guidato il team per creare Malos Aires. L\u2019obiettivo \u00e8 stato quello di creare un’opera iperrealista con solo due personaggi, molteplici riprese in sequenza realizzate con una sola telecamera, ponendo l’attenzione sui gesti e sugli sguardi pi\u00f9 sottili, sul ritmo naturale della vita e, nella maggior parte dei casi, sulle tacite reazioni dei personaggi. L\u2019idea \u00e8 quella di arrivare ad un certo punto a non capire perch\u00e9, come spettatore, siamo testimoni di una realt\u00e0 cos\u00ec intima.<\/p>\n

      [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ width=”100%” max_width=”100%” use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_gallery gallery_ids=”6055,6076,6077,6078,6079,6080,6081,6082,6083,6084,6085,6086″ show_title_and_caption=”off” zoom_icon_color=”#ffffff” hover_overlay_color=”rgba(0,0,0,0.6)” hover_icon=”||divi||400″ _builder_version=”4.16″ caption_font=”||||||||” caption_font_size=”14px” pagination_font=”Gotham|700|||||||” child_filter_contrast=”104%” animation_style=”flip” border_width_all_image=”6px” global_colors_info=”{}”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

      L\u2019incontro di una ex-coppia argentina durante il lockdown del 2020 a Madrid. La conversazione di una notte fa riaffiorare la complessit\u00e0 e l’instabilit\u00e0 delle emozioni umane.L\u2019incontro di una ex-coppia argentina durante il lockdown del 2020 a Madrid. La conversazione di una notte fa riaffiorare la complessit\u00e0 e l’instabilit\u00e0 delle emozioni umane.Malos AiresArgentina, Messico, Spagna, Italia\u00a0 2022 \/ 72\u2032diretto da Dami\u00e1n Comas con Luz Cipriota Emmanuel Marzia Sceneggiatura Dami\u00e1n Comas Direttore della Fotografia Alex Sarta Scenografia Juan CorreaRoc\u00edo S\u00e1nchez-Gil Costumi Roc\u00edo S\u00e1nchez-Gil Montaggio Giorgio Milocco Suono Juanjo Rodr\u00edguez Musiche Christian ParisVioletta Club Produttori Michele CodarinGiorgio MiloccoDami\u00e1n Comas Produzione Quasar Distribuzione Esen Studios Va\u0308stera\u030as Filmfestival (Svezia) | 2023Asti Film Festival (Italia) | 2022Va\u0308stera\u030as Filmfestival (Svezia) | 2023Asti Film Festival (Italia) | 2022 Chichester Film Festival (UK) RIFFA – Regina International Film Festival and Awards (Canada) Festival de Cine Ibero-Latino Americano de Trieste (Italia) V\u00e4ster\u00e5s Filmfestival (Svezia) Asti Film Festival (Italia)   Chichester Film Festival (UK) RIFFA – Regina International Film Festival and Awards (Canada) Festival de Cine Ibero-Latino Americano de Trieste (Italia) V\u00e4ster\u00e5s Filmfestival (Svezia) Asti Film Festival (Italia) Dami\u00e1n Comas Dami\u00e1n Comas (1984) \u00e8 un artista visivo, scrittore e regista. Ha conseguito un dottorato in Creazione letteraria e un master in […]<\/p>\n","protected":false},"author":1,"featured_media":9002,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-6030","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nMalos Aires - Esen Studios<\/title>\n<meta name=\"description\" content=\""Malos Aires" di Dami\u00e1n Comas, una nuova distribuzione Esen Studios. Il film affronta le emozioni di una ex-coppia alle prese con il lockdown.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.esenstudios.com\/film\/malos-aires\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Malos Aires - Esen Studios\" \/>\n<meta property=\"og:description\" content=\""Malos Aires" di Dami\u00e1n Comas, una nuova distribuzione Esen Studios. Il film affronta le emozioni di una ex-coppia alle prese con il lockdown.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.esenstudios.com\/film\/malos-aires\/\" \/>\n<meta property=\"og:site_name\" content=\"Esen Studios\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/esenstudios\" \/>\n<meta property=\"article:modified_time\" content=\"2023-08-31T20:22:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.esenstudios.com\/film\/wp-content\/uploads\/2022\/12\/fea__MALOS_AIRES.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"473\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data1\" content=\"19 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.esenstudios.com\\\/film\\\/malos-aires\\\/\",\"url\":\"https:\\\/\\\/www.esenstudios.com\\\/film\\\/malos-aires\\\/\",\"name\":\"Malos Aires - Esen Studios\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.esenstudios.com\\\/film\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.esenstudios.com\\\/film\\\/malos-aires\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.esenstudios.com\\\/film\\\/malos-aires\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.esenstudios.com\\\/film\\\/wp-content\\\/uploads\\\/2022\\\/12\\\/fea__MALOS_AIRES.webp\",\"datePublished\":\"2022-01-03T15:57:43+00:00\",\"dateModified\":\"2023-08-31T20:22:40+00:00\",\"description\":\"\\\"Malos Aires\\\" di Dami\u00e1n Comas, una nuova distribuzione Esen Studios. 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